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In The Artists' Footsteps

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Donald Watson 1918 - 2005

Harbour Cottage Gallery Kirkcudbright - 60th Anniversary

Archie Sutter Watt

Nan S Fergusson (Mrs James Henderson) 1910 - 1984

E A Taylor

Edward Arthur Walton

Christian Jane (Chris) Fergusson

James Paterson

E. A. Hornel

Jankel Adler

Francis Campbell Boileau Cadell

William Hanna Clarke

William Daniell

George Wright

James Faed (Senior)

James Faed Junior

John Faed

Susan Bell Faed

The Faeds

David Gauld

The Glasgow Girls

Tom Gourdie

The Glasgow Boys

Francis Grose

George Henry

Anna and Isobel Hotchkis

James G (Tim) Jeffs

Jessie M King

Oskar Kokoschka

William Miles Johnston

John Maxwell

Henry Joseph Moule

William Mouncey

William Stewart MacGeorge

Charles Oppenheimer

Samuel John Peploe

William Bruce Ellis Ranken

William Robson

Charles William Stewart

Jim Sturgeon

Alick Riddell Sturrock

JMW Turner

Jemima Wedderburn

Christopher Whall

The Dumfries and Galloway Fine Art Society

David Gauld

David Gauld (1865-1936) is one of the most interesting of the Glasgow Boys.

Involved in a major stained glass project at the end of the Nineteenth century his Music and St Agnes show a Japanese and Pre Raphaelite influence. A close friend of Charles Rennie Macintosh, Gauld’s work bridges the gap between the Boys and Art Nouveau. As well as painting extensively in France Gauld had a very close connection with Kirkcudbright, where he shared a studio for a time at Castlemains with W S MacGeorge. In the late twenties he is also recorded as having a studio in Milburn Street. His fine Kirkcudbright Harbour is to be found at the Dick Institute, Kilmarnock and was used on the cover of Kirkcudbright 100 years of an Artists’ Colony (edited by Patrick Bourne).

It was here in Kirkcudbright that Gauld perfected his studies of cattle, particularly calves, frequent examples of which appear in our major art sales. It is said that he painted mostly at Cannee and Low Boreland farms on the outskirts of Kirkcudbright. Such indeed was Gauld’s enthusiasm for this subject matter that fellow artists penned the following ditty:

There was a wee man named Gauld,
Who painted three calves in a fauld,
He’s paintin’ the noo, a big Ayrshire coo,
He’ll maybe pent bulls when he’s auld.

Gauld’s best studies of cattle are his freely painted earlier works. His later, more formulaic works lack the interest of his colourful earlier pieces.

Summer in Galloway

Summer in Galloway



Kirkcudbright Castle

Kirkcudbright Castle

A Galloway Farm

A Galloway Farm